91原创

Biography

Philip Duker joined the faculty at the 91原创 in 2009 as an assistant professor in music theory. Dr. Duker completed his doctorate in music theory at the University of Michigan with a dissertation focusing on repetition in 20th-century music from an analytical and metatheoretical perspective. He is a former fellow at the University of Michigan鈥檚 Institute for the Humanities, an experience that broadened his interdisciplinary research interests.

In addition to his degree in music theory, Dr. Duker holds a Dipl么me in percussion from the Conservatoire National de France de la R茅gion Rueil-Malmaison, Niveau Sup茅rieur: M茅daille d鈥橭r, Premier Prix, and he graduate听summa cum laude听from the University of Maryland Baltimore County with a Bachelor of Arts in Music and Philosophy.

Dr. Duker has given papers at regional and national meetings of the Society for Music Theory in addition to presenting at the second International Conference on Music and Gesture in Manchester, England. His paper, 鈥淩esulting Patterns, Palimpsests, and 鈥楶ointing Out鈥� the Role of the Listener in Reich鈥檚 Drumming,鈥� received the Dorothy Payne Best Graduate Student Paper Award from the Music Theory Society of the Mid-Atlantic, as well as honorable mention in the Arthur Komar award from Music Theory Midwest. Many of his research interests lie at the intersection between music and the humanities, including instrumental theatre and the visual/bodily aspects of performance, rhythm and temporality, philosophy and aesthetics, critical theory and the relationship between performance and analysis.

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