Jessica Horton

Jessica L. Horton

Professor
Native American, Modern, and Contemporary Art
Director, Graduate Studies, Art History
 

Biography


Professor Jessica L. Horton is a scholar of modern and contemporary Native North American art. Her research and teaching center Indigenous artists in a global story of modernity, following the transcultural movement of people, art, and ideas. Professor Horton has published widely on the relationships connecting Indigenous knowledge, creative practice, and theories of ecology, diplomacy, and globalization. She encourages hands-on collaboration in her classes, such as working with students and Indigenous communities to curate exhibitions of Native American art on campus.

Professor Horton's first book, Art for an Undivided Earth: The American Indian Movement Generation (2017) illuminates the impact of Indigenous struggles for land and life on artists working internationally since the 1970s. Her second book, Earth Diplomacy: Indigenous American Art, Ecological Crisis, and the Cold War (2024), examines how artists revitalized longstanding Indigenous cultures of diplomacy to place the earth at the center of our broken system of international relations. Professor Horton is currently leading Pomo Baskets, Woven Futures, a multi-year collaboration that includes an exhibition at the 91原创 (2027) and born-digital publication, as well as a book project about basket weaving and fire ecologies across the state of California.

Professor Horton is the co-chair of the , which approaches the continuing colonial legacies of the university's land grant as a critical context for interdisciplinary environmental research. She formerly worked on the American Indian and Indigenous Relations Committee of the 91原创 Antiracism Initiative, helping to complete that examine the history, present, and future of 91原创's relationships to Native nations and lands through community-based collaboration.

Professor Horton's research has received support from the Center for Advanced Study in the Visual Arts, the Getty Research Institute, the Clark Art Institute, the Terra Foundation for American Art, the Georgia O'Keeffe Museum and Research Center, a Creative Capital Arts Writers Book Grant, two Wyeth Foundation Publication Grants, and more.

Selected Publications

Earth Diplomacy: Indigenous American Art, Ecological Crisis, and the Cold War聽(Duke University Press, Aug. 2024).聽

Art for an Undivided Earth: The American Indian Movement Generation聽(Duke University Press, June 2017).

"Keywords for Indigenizing Ecocritical Art History鈥 in Methods for Ecocritical Art History, eds. Andrew Patrizio and Olga Smith (Manchester University Press, 2026), 234-243.

鈥淩eading Settler Archives Relationally,"聽Archives of American Art Journal聽63, no. 1 (Spring 2024): 76鈥83.

鈥淐oiled Baskets, Spiraled Futures,"聽The Brooklyn Rail, The Irving Sandler Essay, edited by Alexander Nagel (Dec./Jan. 2023/2024): 50鈥56.

Christine Howard Sandoval & Jessica L. Horton (2023): 鈥楪enocide is climate change鈥: a conversation about colonized California and Indigenous futurism, World Art, DOI: 10.1080/21500894.2023.2183520聽

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鈥淩ebalancing the Cold War: Din茅 Sandpainting and Earth Diplomacy,"聽The Art Bulletin聽104, no. 3 (Sept. 2022): 84鈥116.

鈥淪eeing the National Museum of the American Indian Anew, as a Diplomatic Assemblage,"聽American Art聽36, no. 3, special issue 鈥淪eeing the Survey Anew: White Racial Formation in the History of American Art," ed. Kirsten Pai Buick (Fall 2022): 5鈥9.

鈥淔ire Oppression: Burning and Weaving in Indigenous California,"聽Humans, Terra Foundation Essays Vol. 5, eds. Laura Bieber, Joshua Shannon, and Jason Weems (Terra Foundation for American Art and University of Chicago Press, 2021), 66鈥87.

鈥淎ir, Wind, Breath, Life: Desertification and Will Wilson's AIR (Auto-Immune Response),"聽The Invention of the American Desert,聽eds. Lyle Massey and James Nisbet (University of California Press, 2021), 39鈥58.

and Rose B. Simpson, 鈥淧ermaculture and Indigenous Futurism at Santa Clara Pueblo,"聽Routledge Companion to Art, Visual Culture, and Climate Change, eds. Emily Eliza Scott, T.J. Demos, and Subhankar Banerjee (Routledge, 2021), 311鈥321.

"Ecolonial Holism,"聽Panorama: Journal of the Association of Historians of American Art聽5, no. 1 (Summer 2019), "Ecocriticism" Bully Pulpit, ed. Karl Kusserow, editions.lib.umn.edu/panorama/article/ecocriticism/ecolonial-holism/.

"Performing Paint, Claiming Space: The Santa Fe Indian School Posters on Paul Coze's Stage in Paris, 1935,"聽Transatlantica:聽Revue d'茅tudes am茅ricaines聽2 (2019), special issue, "Dialoguing the American West in France," eds. Emily Burns and Agathe Cabau, https://journals.openedition.org/transatlantica/11220.

"'All Our Relations' as an Eco-Art Historical Challenge: Lessons from Standing Bear's Muslin," in聽Ecologies, Agents, Terrains, eds. Christopher Heuer and Rebecca Zorach (Clark Art Institute and Yale University Press, 2018), 73鈥93.

"Indigenous Artists Against the Anthropocene,"聽Art Journal聽76, no. 2 (Summer 2017): 48鈥69.聽

"Plural Diplomacies Between Indian Termination and the Cold War:聽Contemporary American Indian Paintings聽in the 'Near East', 1964鈥1966,"聽Journal of Curatorial Studies, special issue, The Art of Cultural Diplomacy (Spring 2017), 360鈥366.

"翱箩颈产飞补听Tableaux Vivants: George Catlin, Robert Houle, and Transcultural Materialism,"聽Art History聽39, no. 1 (Feb. 2016): 124鈥151.

"A 'Cloudburst' in Venice: Fred Kabotie and the U.S. Pavilion of 1932,"聽American Art, 29, no. 1 (March 2015): 54鈥81.

"Art History's Tangled Legs," in聽Kay WalkingStick: An American Artist, ed. Kathleen Ash-Milby (Smithsonian Institution National Museum of the American Indian, 2015), 145鈥148.

(and Cherise Smith), "The Particulars of Postidentity," eds. Jessica L. Horton and Cherise Smith,聽American Art, 28:1 (Spring 2014): 2鈥8.

(and Janet Berlo), "Beyond the Mirror: Indigenous Ecologies and 'New Materialisms' in Contemporary Art,"聽Third Text, special issue, Contemporary Art and the Politics of Ecology, ed. T. J. Demos, 27:1 (January 2013): 17鈥28.鈥

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Jessica Horton's News
  • Two images on blue background: Earth Diplomacy book cover and Jessica L. Horton headshot.

    Earth Diplomacy: Indigenous American Art, Ecological Crisis, and the Cold War

    May 05, 2025 | Written by Department of Art History staff
    Jessica L. Horton examines how Native American artists in the mid-20th century mobilized Indigenous cultures of diplomacy to place the earth at the center of international relations.
  • Harvesting knowledge

    April 29, 2025 | Written by Department of Art History staff
    Graduate students working with members of the Pomo Weavers Society learned about traditional basket weaving methods, including tending the wild plants, and the importance of curating with, rather than about, Indigenous communities.
  • 91原创ARI Committee Launches Keywords Project

    December 08, 2023 | Written by CAS Communications
    The American Indian and Indigenous Relations (AIIR) Committee of the 91原创 Anti-Racism Initiative (91原创ARI) has launched an unprecedented educational resource for the 91原创 community, 鈥淜eywords for Building Relationships in Lenape and Nanticoke Homelands.鈥